I don't know. But I think the controlling idea is ready. It's straightforward, clear, and singular. It's also everything I want to get across in the story. It took almost 5,000 words to nail down 9! The synthesis is only less than 0.2% of the overall word spill. 620 words today, almost half of which was produced in a semi-state of sleep. The pen chugged along as thoughtlessness took hold and took over the process. That's a very good sign. None of these words are gold. Mindlessness shall assign them their legit place in the work.
Can't say that the writing that came after identifying the protagonist was refreshing. Standard plot possibilities sprung naturally from the character including a few promising scenes, but nothing too exciting. No spine. I think that's what the story is still lacking. A specific action that weaves through and unifies the story. I'm still identifying the story on a macro level and though I know what the hero must do in this story, I haven't found out why exactly. Saying that defies what Mamet taught about backstory. Am I too timid to fight against Hollywood orthodoxy? 590 and 320 words in the last two days. So far 2.5 times more productive than planned.
The past three days saw a boom in word count, covering 2,260 words ( 330 , 330 , and 1,600 words respectively)! In terms of story progression there wasn't much of a breakthrough. You were right, Mr. Hemingway, it does look like the first draft of anything is shit. Though there's an upsurge in word count story-wise it's going nowhere special. I tried getting into the heads of a few minor characters and digging up interesting facts about their world but none has so far yielded anything breathtaking. Only solution: write on. There isn't much of a choice.
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