I don't know. But I think the controlling idea is ready. It's straightforward, clear, and singular. It's also everything I want to get across in the story. It took almost 5,000 words to nail down 9! The synthesis is only less than 0.2% of the overall word spill. 620 words today, almost half of which was produced in a semi-state of sleep. The pen chugged along as thoughtlessness took hold and took over the process. That's a very good sign. None of these words are gold. Mindlessness shall assign them their legit place in the work.
The past three days saw a boom in word count, covering 2,260 words ( 330 , 330 , and 1,600 words respectively)! In terms of story progression there wasn't much of a breakthrough. You were right, Mr. Hemingway, it does look like the first draft of anything is shit. Though there's an upsurge in word count story-wise it's going nowhere special. I tried getting into the heads of a few minor characters and digging up interesting facts about their world but none has so far yielded anything breathtaking. Only solution: write on. There isn't much of a choice.
Can't say that the writing that came after identifying the protagonist was refreshing. Standard plot possibilities sprung naturally from the character including a few promising scenes, but nothing too exciting. No spine. I think that's what the story is still lacking. A specific action that weaves through and unifies the story. I'm still identifying the story on a macro level and though I know what the hero must do in this story, I haven't found out why exactly. Saying that defies what Mamet taught about backstory. Am I too timid to fight against Hollywood orthodoxy? 590 and 320 words in the last two days. So far 2.5 times more productive than planned.
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